Showing posts with label Talbot's Peak. Show all posts
Showing posts with label Talbot's Peak. Show all posts
Thursday, February 6, 2014
Free Read Thursday
The blog muscle didn't want to flex this morning, so here's an entire chapter from one of my Talbot's Peak WIPs. If you squint between the lines, you might pick up some writing tips, so it still qualifies as a blog.
The gist: Out-of-work journalist Chloe Stevens comes to Talbot's Peak, Montana to write a romance novel. Because she's fixated on vampires, she doesn't realize Talbot's Peak is a shapeshifter settlement. She doesn't even catch on that the two guys she's with are wolf shifters. Hey, Lois Lane was an award-winning ace reporter, and she never figured out Clark Kent was Superman. Tunnel vision will do that to you.
# # #
Pietro twirled her across the dance floor. The music belonged to another century, yet somehow her feet knew the steps. She wanted to believe it was instinct, and not the horrible possibility Leonid Krasski had revealed to her. She would not accept it, although all the evidence pointed to the inevitable.
I’m not the reincarnation of his long-dead wife. I can’t be!
“Your mind’s wandering,” Pietro whispered in her ear. “Am I such a boring partner?”
Aramilla clung to him desperately. She didn’t want to be a vampire queen. Krasski had been nothing but kind to her, but she could not see herself in his arms. His chilly touch revolted her. Even now she imagined his eyes upon her, watching her dance with her guard, a man who stirred her heart as no other. A man sworn to obey the vampire king. A man who was technically dead.
A man who set her heart aflutter with a whispery laugh across her lips.
“So it’s excitement you crave, is it? Then what say we change the pace a bit?”
From the sedate, measured steps of the waltz he suddenly swung her into a wild ‘50s jitterbug. They swept across the floor like a couple of dervishes, the brooding Brando and his bobby-soxer, not so brooding now but laughing in abandon. The older vampires stopped dead, as it were, and stared at them in something close to shock. None moreso than Krasski, seeing his woman, his wife in theory if not fact, laugh in another man’s arms
And a bare half-step behind him, the treacherous Haroun.
# # #
Now this was more like it, Chloe thought. This came a lot closer to her ideas of what small-town Montana should be like. Granted, there were more motorcycles parked out front than pickup trucks, and the music ran more toward rock than the expected country and Western. But this would give her a better vibe on Talbot’s Peak than a coffee shop or the diner or even the open streets. People let their hair down in bars, and inhibitions washed away under a stream of alcohol. The true nature of a town came out in its most popular bars.
Chloe’s impression of the nature of Talbot’s Peak could be summed up in one word: Weeeeiiiiirrrd.
Everything looked fine on the surface. The customers ate, drank, danced, made out with their partners and swore just like patrons in every halfway-decent bar across the country and probably several overseas. Chloe got an impression of a town that liked its fun and worked hard to play hard. Like tonight’s live band, a clearly local group. They had long hair, dressed in faux leopard skins and loincloths, and jumped around like a troop of baboons on speed. They seemed to favor Chili Peppers covers. Energy poured off them like sweat and practically held a gun to the audience’s heads, demanding they get up and dance. Which most of them did, sooner or later.
Only a handful of patrons stayed seated. They sipped their drinks and glowered at others with an intensity that prickled Chloe’s nape hairs. Jesus Pete, these people even brooded with gusto.
Trained to dig through deception, Chloe peered beneath the surface. Here was where the weird came into play. These people didn’t walk. They slouched, they stalked, they padded, they glided, in movements just a hair off human true. And the way they ate—Chloe had seen pit bulls gobble their meals with more finesse. These Peakers ate like they’d killed it themselves, and results of the next hunt might be iffy. There was quite a bit of stealing from each other’s plates. That’s where most of the swearing came in.
And they were watching her.
At first she tried to tell herself she was being paranoid. Hers was a new face in the bar. Naturally the regulars would want to check her out. It was the narrowed eyes and twitching noses and suspicious scowls that set her nerves on edge. Underneath the surface and off-human behavior she sensed a healthy distrust for outsiders. She, the living being, had walked into the vampires’ den, and the dead weren’t sending out the Welcome Wagon.
A wiry cowboy stalked past their table. He paused behind Chloe’s chair, and growled. No mistaking that sound for a mutter or a grunt. Dale tipped his hat back and showed his teeth. The cowboy uttered a genuine mutter and moved on.
Yeah. Weeeeiiiiirrrd.
Well, best defense and all. Chloe picked up her burger and ripped into it just like the diners at the tables around them. Was it her imagination, or did that bunch off to their left just relax a little?
“Now that’s what I like to see,” Ewan said. “A gal who enjoys a good meal.”
“It is good,” Chloe meant to say. With her mouth crammed full of grade-A beef, it came out more like itthood. Dale and Ewan seemed to catch the gist, because they smiled. Dale’s was more of a lip-twitch. Chloe counted that as forward progress.
What the hey, she might as well enjoy this. Her funds would be depleted soon, and she’d agreed to pick up the tab for this shindig. She began to understand why Peakers ate their food with such lusty desperation. What danger lurked in their collective background? What were they most afraid of?
Dale and Ewan didn’t look scared. Ewan downed hot wings and gulped brew like he hadn’t a care in the world. Dale’s glower had softened down to a glare. Maybe the drinks were helping.
What was up with this gloomy male deal? Every vampire Chloe had ever read about was brooding and secretive. Were there no happy vampires? Creatures of the night given to punking each other? Addicted to knock-knock jokes? Vampire stand-up comedians? She knew there was some kind of syndrome where people got depressed if they didn’t get enough sunlight. That might have a lot to do with it.
“Will you look at this,” Ewan said suddenly. “That’s Pepper Ames over there. And she’s alone. Slipped her brothers’ leash again. The sneaky little bitch.” He spoke the B-word with admiration. “I cannot let this pass by. You two’ll excuse me?” He bolted off his chair.
Chloe set down her burger with a big, fakey pout. “I thought I was the one who had your heart.”
“You do, m’love, you absolutely do. But she’s got my dick. I’ll be back whenever.” Ewan wove across the dance floor like a guided missile, dead set on target.
“He better act fast,” Dale said, with a chuckle in his voice that perked up Chloe’s ears. “I scented one of her cousins around. Her brothers’ll be here in short order, and they don’t like coy—” He snapped his jaw shut.
Chloe swallowed her latest too-big bite. “Scented? What do you mean, scented? What are you, Wolverine?”
“Cowboys,” Dale finished. “And I’m not a wolverine. Dukey Ames wears this really strong after shave. It’s tough to miss.”
Right. One random guy in a crowded bar puts on too much Old Spice, and Dale claims to notice it over the smells of booze, sweat, burgers and fries and close to a hundred bikers. She took a smaller, more thoughtful bite, watching him over the bun. Now who, outside of an X-Men movie, would have a sense of smell that sensitive? A vampire, perhaps?
Then again, there was that whole pesky she’d-seen-them-out-in-daylight thing. Chloe told herself she was being silly. Herself didn’t really buy it.
The hyperactive band took a break and a DJ took over. Two women in tight, spangly costumes slithered onto the stage and began an erotic dance routine. The males in the crowd howled their approval. Literally howled, in several cases.
“You okay?” Dale asked.
“Huh? Yeah, I’m fine.” Why, the big chivalrous galoot. He must have thought her startled reaction had been sparked by the dancers, not the howls. “I’ve been in a couple big cities. I’ve seen worse than this on the street.”
Not by much, though. The taller of the pair twined around her flame-haired partner like a snake squeezing in for the kill. Something about her set off Chloe’s journalistic radar. Those bare legs and arms looked just a tad too muscular, compared to the redhead’s slender limbs. Chloe automatically studied the taller dancer’s crotch. A costume that tight left no room for guesswork. There wasn’t even the hint of a bulge.
“Huh,” Chloe said. “I would have sworn … ”
“What?”
“Nothing.” She turned her attention back to her burger. It really was excellent, and might be the last decent meal she indulged in for awhile.
“So,” Dale started, and stopped. He coughed. Took a sip of his drink. Rubbed the back of his neck. “You’re a writer.”
“Yup. Do I write smut? Also yup. In the business we call it ‘erotica.’ That doesn’t make me a pervert. I write for an existing and very hungry market, and because I enjoy it.” She gave him a honey-laced smile. “Are you okay?”
“’Course I am. Why wouldn’t I be?” His voice had gone back to a growl. “It’s just sex. Nothing wrong with sex. You’re allowed to write what you want.”
“I’m so happy to have your permission. So, how’d you like my excerpt?”
“It was an eye-opener, that’s for sure. But vampires? Seriously? C’mon. How’s a dead body supposed to do all that? Granted, they got the stiff part down, but that’s it.”
“It’s a fantasy. A fairy tale for grown-ups.” Chloe leaned across the table, enjoying his discomfiture. “Isn’t that true of all romance?”
“Damn dead bodies,” Dale muttered. He rubbed his neck again. “It just ain’t natural.”
“That’s why we call it fiction.” Poor big, macho baby. He’d probably never read a romance in his life. She’d bet her favorite writing pen they were all Elmore Leonard groupies up here. “You’re supposed to read it to escape real life. The fantasy gives us hope.”
“For what? That a corpse can get it up?”
“That eternal love exists, and we can have it. We just have to find the right—”
She choked off. Her stare shot over Dale’s right shoulder and froze solid. His muscles tightened up, then loosened, like he was getting ready to spring. “What is it?” he hissed.
“It’s him. Behind you.” In the gloom at the back of the room, the man’s pallid skin glowed like a ghost. “The guy from the coffee shop. The big Russian.” Leonid Krasski. Panic had driven his real name out of her head.
“Who, Sergei?” Dale twisted around.
“Don’t look right at him! Geez!”
“Hey, relax. Ten to one he ain’t here for us. He’s sweet on Gypsy.” He nodded toward the stage.
Chloe peered back over her shoulder. While she’d had her back turned the taller dancer had left the stage. The redhead now moved in slow, sinuous steps with a big snake draped around her shoulders. Chloe shuddered and looked away. Better to look at the scary Russian guy. He creeped her out, but less.
In spite of the crowd crammed into the room, he had his little corner all to himself. His white hair poured over his shoulders like a fall of snow. He had a beer stein clasped in his enormous, colorless paw. Even sitting, he towered.
His gaze appeared to shift in her direction.
Chloe jerked her burger up to her face for cover. “He’s looking at us.”
“Doubt that,” Dale said calmly. “When Gypsy’s up on stage he don’t see nobody but her.”
Uncertain, Chloe steeled herself for a quick glance at the woman and the big icky snake, then another at man-mountain Sergei. The sight lines did seem to match up. “Does she know? I mean, he’s not stalking her, is he?”
“Seems to be a mutual attraction, far as anyone can tell. If Gypsy wasn’t interested, she’d let him know and make it stick. She’s a lot tougher than she looks.”
She looked plenty tough from where Chloe was sitting. Any woman who’d voluntarily put a snake that size around her neck clearly had guts to spare. “So he’s here a lot. Him being here has nothing to do with you or me.”
“That about sums it up.”
“You must be here a lot too, if you know that.”
“Ewan and me, we stop in. Not too many fun places in Talbot’s Peak. You may have noticed what a small town this is.”
“What kind of fun are we talking?”
“Well, uh … ” He took a hasty drink.
“Never mind.” Unable to look directly at Sergei and unwilling to look at the snake, Chloe looked around and found Ewan. He had his own erotic gyrations going on with a laughing brunette who probably wasn’t as old as her ID said she was. He had no trouble finding fun. Given the undead’s penchant for brooding, he’d make a terrible vampire.
Of course! That’s what had been bothering her about Ewan’s fictional counterpart. He was too vital, too full of life to be a vampire. He was Lars, Pietro’s faithful human friend. A descendant of Vikings, hot-blooded man from the frozen north, loud, boisterous and loyal unto death. While his joyful vibrancy appealed to Aramilla, it was Pietro’s dark, mysterious nature that drew her in. Pietro was a puzzle that demanded solving, and Aramilla had never learned the wisdom of letting a mystery lie.
She dove for her purse. Dale sat up. “Now what?”
“Nothing,” Chloe murmured, digging into her bag. “I have to get this down. It’ll only take a sec.” She whipped out a pen and a pocket-sized notebook and scribbled madly.
“What are you writing?” Dale demanded. His tone turned wary. “Not another sex scene, is it?”
“No. Why?” She stabbed him with her gaze. Her pen hesitated only a second before it continued to scrawl. “You want it to be?”
“Lemme see that.” He grabbed for the notebook.
Chloe grabbed for his wrist. “Try it and I’ll knock you on your butt again. I’m just making background notes. It’s not all about you. Geez.” Dale growl-muttered something. “Excuse me?”
“I said, the last one was.”
“What last—oh.” Her two missing pages. Pietro and Aramilla and what they’d been doing. Pietro’s physical description had been a bit on-the-nose. What excuse could she offer, other than this was a draft?
“Sorry,” she said. “You’re the first real cowboy I’ve ever seen up close. Cowboys are huge in romance. Bigger than vampires even. I never expected you’d read it. You want me to change the description? He already has different colored eyes. Nobody has to know it’s you. Nobody will know it’s you. Unless … ” She peered at him narrowly. “You’re not some millionaire or celebrity in hiding or something like that, are you? Somebody famous undercover?” Or something supernatural, masking his inhuman origins?
“Hardly. I ain’t dead, either. And I don’t do things like—like what them two was doing.”
“You don’t like sex?”
“No. Yes. No! Lupa bite it. Some things are just better left off the page, that’s all I’m saying.”
“Who’s Lupa?” Dale didn’t answer. Well, fine. When she got to the next sex scene she’d pull out all the stops, and use it for promo. That’d show him.
“What about Ewan?” Dale asked. “He in there? Him and me, we don’t do anything together, do we?”
“Not so far,” she said. She couldn’t stop her wicked grin. “But I’m only up to Chapter 5.”
He looked so stricken she put down her pen and laid her fingers over his wrist. “Okay. I’ll leave that part out. If you want, I’ll leave you out. Aramilla’s not me, either. I don’t do half the stuff I write about. Less than half. It’s just that acrobatics read better. The hotter the sex scenes, the better the sales. I really want to sell this. I almost have to. I’ve been out of a job for a couple weeks now. I’ve always wanted to be a writer. This is my shot.” She couldn’t tell if he was buying this quasi-apology or not. “Come on. Nobody has sex like they do in books. It’s all about the fantasy.”
“Real life does tend to suck a lot,” he said, so wearily she wondered what or who he might be reliving behind those treasure-trove eyes. “Is that what you women think about all the time? Sex with vampires?”
“It’s not always vampires. Sometimes it’s cowboys or firemen. I thought sex in general was all men thought about.”
“Some men.” He shot a significant stare in Ewan’s direction. Chloe giggled. No arguments there.
The heavy, driving beats of the previous songs were replaced by a slow, relaxed number. Ewan and his current amour continued to writhe, just at a more relaxed pace. Chloe looked on enviously. “You want to dance?” she asked Dale.
She expected a no, but he surprised her with an affirmative grunt. When she started to get up, he hopped off his chair to take her hands and guide her to her feet. Human, cowboy, vampire or whatever, he was definitely a gentleman at heart.
Though not much of a dancer. His feet moved all over, sometimes on hers, sometimes on the floor. Their stumbles didn’t endear them to the other couples, who made their displeasure known with bared teeth and bestial snarls. “Just stand there and sway,” Chloe suggested. “I’ll hang on.”
Dale sighed his relief. “Works for me.”
So it wasn’t much of a dance. It kept them in one place and safe from their nearest neighbors’ personal space. It also gave Chloe an added chance to take in the ambiance. Dale wasn’t the only uncomfortable male on the floor. Tension rose in little pockets all around them, from males clearly more accustomed to more violent physical action. A biker bar just wasn’t the place for a slow dance, but Chloe gave them credit for trying.
Tension of another sort bloomed in response to the dance. Chloe watched, fascinated, as it unfolded beyond Dale’s left shoulder. “Something interesting happening back there?” he murmured, amused.
“I’ll say.” Chloe shifted them around so he could take a look.
With her number finished the dancer, Gypsy, had thrown a kimono over her costume and joined Sergei at the back of the room. They danced together now, a slow and stately waltz that was nevertheless as erotically charged as Ewan and his girl’s suggestive moves. She pressed against his chest while his arm possessively curved around her tiny waist. She laughed up at him, her hair a rush of fire, his a stream of ice. Given his height and her petiteness, they couldn’t kiss unless he bent. He teased her with a little dip, but kept his lips out of her reach. She pouted up at him and kissed what she could get to, the white skin exposed by the open collar of his coat. Her fingers twined in his hair. He buried his fingers in hers.
“He loves her,” Chloe muttered in wonder. “The big iceberg is in love with her.”
Inspiration crashed into her writer’s brain with brutal, exhilarating speed. Leonid Krasski, deadly king vampire, had loved a mortal woman. A dancer, who looked and moved and loved like fire. He’d adored her with all his undead heart, but lost her. How? If he’d been human at the time, his humanity had burned away with the death of his wife. Until he found her again, or thought he had, reborn in Aramilla.
Chloe knew exactly now what Aramilla looked like, how she would walk and stand and especially dance, how she would smile and her eyes would sparkle in the presence of her only love. It was all playing out right before her eyes. Just like in a book, but way better.
She sighed and rested her head against Dale’s shoulder with a silly grin on her face. “I love it when the fantasy comes true.” The journalist in her twitched. “I should probably write this down.”
“So we’re done dancing?” Dale asked hopefully.
“Yeah, I guess—” Chloe broke off.
When the hell had their bodies got so close? When had she locked her arms around his neck? How had his mouth snuck up on hers without her noticing? Their faces were so close their breath mingled. He smelled like a pine forest, dark and spicy and full of wild animals, most of them unfriendly to humans.
His eyes were not Pietro’s, but they were still deep as the sea. Could a woman drown in gold? Chloe wondered, even as she sank.
He looked just as surprised as she felt, but he didn’t pull away. One little fraction of an inch and their lips would come together. All she need do was lean in to close the gap.
“Dale.” Ewan popped up beside them. He stared at her like he’d forgotten her name, then snapped his fingers. “Chloe. That flea-bus Dukey called in Pepper’s brothers. They’re on their way here. We gotta go.”
Dale didn’t exactly let go of her, but he did put air between them. Chloe sensed the moment was over. “What do you mean, we?”
“I mean they know we run together, so they’ll pound you just on principle.” He touched the brim of his hat to Chloe. “Sorry, sweetie. Gotta cut this date short.”
Chloe paid the tab and they made a hasty exit. Shelling out for the meal hurt her wallet, but the loss of Dale’s arms around her hit harder. I didn’t even have a drink, she thought. What the flaming fug?
Never mind. She buried the sense of abandonment under the need to get home and get to work on her next chapter, while the image of Krasski and his one true love remained fresh in her head. She’d come to Talbot’s Peak to write a book, after all, not fall for a cowboy. Even one who might be a vampire.
Dale saw her to her car, and held the door while she climbed in behind the wheel. He didn’t shut it until she’d buckled in. “You gonna be okay to drive?” he asked.
“No prob,” she said, and there wasn’t. Knowing she’d have to drive later—and realizing she was heading out to some bar in the boonies with two men she barely knew—Chloe had restricted her liquid intake to water and soft drinks. She didn’t know what Dale and Ewan had been gulping down all night, but she was pretty sure it hadn’t been soft. “What about you?”
“We’re covered,” Ewan assured her. She hadn’t even noticed he’d followed them. “Dante knows us. He has rooms. We’ll have to check those out next time we’re here. Did I give you my number yet?”
“I’ve got your number, all right,” Chloe said. Dale was a tougher mystery to crack. “Well. I … guess I’ll see you around.”
“Yeah.” Dale looked at the ground. Ewan stared around the parking lot. All of a sudden a pickup truck, crowded cab to bed with scowling, dark-haired men, roared up to the bar. Ewan abruptly disappeared.
“You sure you’re going to be all right?” Chloe asked.
“We’ll be fine. Dante won’t let things get out of hand. You take care of yourself. Watch out for … ” He flicked his tongue over his lower lip. “Vampires.”
“I’ve got garlic in the glove box,” she assured him. No, he wasn’t going to kiss her. So she kissed him, a quick grab to his shirt, a jerk, and a peck on the lips. “That’s for the dance,” she said. She put the car in gear and shot out of the lot before he could react.
Once on the road she felt free enough to ask herself, What the hell was that about? She didn’t know the guy. He couldn’t dance. He might be something paranormal or, even worse than that, married. He acted like he had something against writers, which would definitely be a problem. If he couldn’t see the allure of vampires, well, that was his own loss.
He’d tasted nice, though, even though he smelled scary. And she wasn’t about to argue with the way she’d felt in his arms. Safe, protected. She hadn’t even been afraid of Sergei while Pietro/Dale stood between them. She had seen her Aramilla, and understood now how Aramilla felt in the arms of the man she loved.
She realized she was grinning like a maniac, and wiped the grin off her face. Forget that, she thought. Forget about him for now. You’ve got a book to work on. And more. Chloe floored the pedal, unsettled at the thought that the dance between them might not be finished after all.
Thursday, January 16, 2014
Hopscotch
Talk about your feast or famine. I can go for weeks with no idea what I want to write. Other times I’m inundated with inspiration and have to flip a coin to decide which WIP to work on. This is one of those latter situations.
I started the new year working on a ménage. Then, for whatever reason, I hauled an abandoned M/F out of the trunk and went back to work on that. I think that happened because of our New Year’s blog hop on Shapeshifter Seductions (www.shapeshifterseductions.blogspot.com). We do near-daily shapeshifter flash scenes over there, and sometimes continued stories. People stop by our blog hops, read the flash scenes, and want to buy the books, which don’t exist. The book I rescued from the closet is a Talbot’s Peak story. The ménage isn’t, although the flash scene that sparked it appeared on the blog. Yes, this gets confusing.
Normally I can only work on one WIP at a time. I’ve tried to work on two, with mixed results. I usually end up abandoning one story for another. When it comes to writing, I can’t multitask. That’s just how my brain is wired.
For some reason I thought maybe this time would be different, and I could write both the ménage and the Talbot’s Peak story simultaneously. Sounds doable, in theory. Write one story until I hit a wall, then switch over to the other. It’s all progress, right?
Here’s where the fun begins. My Monday blog on SSS may have sparked a story. As I was drafting it on Sunday I started getting ideas. A plot began to form. A character from a one-off flash from two years back resurfaced as a bad guy. A sidekick character from another abandoned book (which grew out of a series of SSS flash scenes) took center stage as the hero. Witty banter is exchanged. That always sucks me in.
What do I do now? I’m already writing two different stories. Do I let those sit and chase this new one? Dare I try to pile on a third? Like that isn’t bad enough, I pulled out the abandoned chapters my latest hero originally appeared in. There’s still something there. It could be salvaged. That’s four. Then there’s the M/M I was working on before the ménage hit, but that one’s currently comatose so I don’t have to worry about it.
I don’t even have to ask myself why I never get anything done. Adult ADD much?
So that’s where I currently stand. I’ve got a steamy ménage in the works, a Talbot’s Peak story to capitalize on our blog’s readership, a semi-story that might develop into something, and a moldy oldie that’s raised its head again. Which is better: jump around, or pick one and focus on it?
This would all be so much easier if my brain would cooperate. When I’m totally into a story it’s all I can think about. Writing one book at a time is no problem then. The story I’ve fixated on is the only one I can write. That’s not the case here. All three (maybe four) are nipping at me, but none has really sunk its teeth in yet.
My marketing side says concentrate on at least one of the Talbot’s Peak books. We have readers. There’s a demand. I just have to supply something. Like I said, if I hit a wall on one story I can switch to another. It’s like when I go on those aimless Sunday drives. Pick a road at random and follow it. Sooner or later I have to end up somewhere.
That’s the biggest advantage of scattershot writing to us lazy, procrastinating types. I get to avoid completing a book (or four, in this case) while still appearing to be busy as heck.
Stephen King never has this problem. He once announced his retirement, then promptly wrote two books at once (Dolores Claiborne and Gerald’s Game). How the hell does he do that? I hope the booze-and-pill addiction wasn’t involved. There’s only so much caffeine I can drink.
I suppose I could put it up to a vote, but I don't think that will help. The second I pick a target, I just know something totally new will hit and I’ll go chasing after it. Or one of my closet cases will resurrect itself. Or I’ll decide to switch genres again, just for the change of pace. I could always give up writing and get a job, but I’d be bored in a week. One thing about writing as a profession, it’s always full of surprises.
Okay, the blog’s done. I’m going to go home now and write something. Just don’t ask me what.
Thursday, November 14, 2013
In the Air
The other week we had a minor scare over at our other blog, Shapeshifter Seductions. On that blog we five writers have been chronicling the adventures of a cast of shapeshifters in Talbot’s Peak, a remote town in Montana. Imagine our consternation when we discovered an ebook publisher was putting out a multiple-author series about love and lots and lots of sex set in a remote town in Montana. Turned out it was cowboys and not shapeshifters getting it on out there in the boonies, so this time we’re okay.
Not so much with the other book, about the sexy werewolf in the town of Talbot. I’m assuming that writer got the name the same place we did: Universal Pictures’ The Wolf Man, starring Lon Chaney Jr. as reluctant werewolf Larry Talbot. As homages go, it’s pretty obvious.
We’re not the first writers to come up with “secret enclave of strange beings” stories, or even the first to do a romance series involving shapeshifters. There’s a huge market for romance right now, and tons of writers with tons of ideas all looking for receptive publishers. There’s bound to be serious overlap.
Because that’s the nature of ideas. They’re raw materials, clay we dig out of the imagination mine and shape into a story. Sometimes it seems like a bunch of us latch onto the same vein of clay at the same time. All of a sudden you’ll see a flurry of stories about hidden towns populated by shapeshifters or vampires or aliens or demons or really, really sexy pagan priests who believe making love is the best form of worship. Everybody pairs up or triples up or whatever, and a good time is had by all.
Is this plagiarism? No, it’s coincidence. Ideas are free for the taking. It’s the execution, the specific way you shape the idea clay, that makes the result unique and copyrightable. You can give a dozen writers the same idea, and you’ll get a dozen totally different stories. There may be a bit of duplication, but it’ll probably be spotty. Not a cause for alarm.
Does plagiarism happen? Well, yeah. Ask Nora Roberts how she’s feeling about Janet Daily these days. Or the people who’ve posted fanfic or free stories at various venues, only to find their work lifted, word for word, by a self-published “writer” on Amazon. In this case the idea was, “let somebody else do all the hard work and then steal it.” That’s not what’s writing’s about.
Here’s a true-life coincidence. My first published romance was Coyote Moon. A female auto mechanic who doesn’t know she’s half werewolf is courted by a werecoyote. At the time I wrote and sold the story, I was completely unaware of the existence of Patricia Briggs’ Mercy Thompson series, about a shapeshifting female auto mechanic. Since then I’ve learned enough about the series to know we each went in totally different directions with the same essential premise, and I had no intention of turning mine into a series anyway, so legally I’m off the hook. To this day I’ve never read any of the books. However, I’ll bet there are people out there who’ve read both and believe I’m a stinking thief. Not so, but how do I prove it? I had an idea and I wrote it my way. How was I to know somebody else had the same basic idea before I did? I was new to paranormal romance and urban fantasy back then, and hadn’t read extensively enough to know what was already out there. Briggs’s lawyers never came after me, so either she isn’t aware of my book or she is aware of how general ideas float around, waiting for writers to make them specific.
Then there were the SF stories I wrote about the telepathic pterosaurs that bore more than a passing resemblance to Anne McCaffrey’s
Pernese dragons, but we won’t go into that. Again, lawyers never became involved. My series, had I continued it, was already heading in a totally different direction. Remember, it’s all in the execution.
Sure, there’s a lot of iffy stuff out there, especially in Hollywood. Back in the ‘70s producer Glen Larson (or “Glen Larceny” as he was known by a lot of working writers) had a penchant for putting shows on the air that bore more than a passing resemblance to other people’s work. Check out Larson’s cop show McCloud and the Clint Eastwood flick Coogan’s Bluff, for example. Or Battlestar Galactica (1970s version), that hit the airwaves in the wake of the phenomenal success of Star Wars. Larson swore the show was in development before George’s movie took off. Maybe it was. Maybe the same general idea hit them both.
Just like ABC and NBC both decided to create shows about fairy tale characters living in the modern world, not long after DC/Vertigo tried shopping Fables to them. Fables is a comic book series about fairy tale characters living in the modern world. Neither TV show bears much resemblance to the comic book, or to each other, for that matter. Wherever ABC and NBC got the idea, they did different things with it. Though I’m sure Fables creator Bill Willingham would love to know the source of their inspiration.
In short: you can’t copyright a basic idea. You can copyright what you do with it. If you’re “inspired” by others’ works (ask me about my obsession with Supernatural some time. Bring a lunch.) make sure to keep it just that—inspiration—and give it your voice and your personal spin. In other words, be original. If you want to write a series about a town of shapeshifters in Montana, go for it. But don’t name it Talbot’s Peak, don’t include a wolf pack feuding with a criminal organization run by an evil tiger, and don’t make the mayor a squirrel. We’re watching.
Thursday, August 8, 2013
TANSTAAFL
Sorry, folks. The free ride’s over.
For the last couple months I’ve been sporadically posting scenes from a story over on Shapeshifter Seductions (www.shapeshifterseductions.blogspot.com). In brief: a human woman moves to Montana to reinvent herself as a romance novelist. She’s writing a paranormal about a woman who becomes involved with vampires, and “casts” the people she sees in town in her book. Unbeknownst to her, the people in this particular town are shapeshifters. Any time a human starts watching them and taking notes is cause for major concern. Our oblivious heroine finds herself the bone of contention in a power struggle between the local ruling wolf pack and the dreaded Tiger Yakuza. She also eventually ends up in bed with two randy wolves, which ought to lend her novel authenticity.
Usually when I do this, the storyline lasts for a post or two and then it peters out. I’ve abandoned tons of stories over the years. You should see the pile of notebooks in my closet. They go gangbusters for a while and then wham! You hit the wall. Yeah, well. On to the next idea. It’s just flash fiction scenes.
This one sort of had a momentum going. It certainly made coming up with a blog every week a lot easier. Just write the next installment. Until I wrecked everything by deciding, “Hey, I’ll bet I could make a book out of this.”
It’s not exactly consuming me, the way the really urgent ones do, but it’s got my interest. I’ve had a succession of dry stretches this year, so I’ll take whatever turns up. Half the fun is in following clueless Chloe, so immersed in her vampire story she doesn’t even realize she’s surrounded by shapeshifters. That should come as a shock to the system when her werewolf lovers reveal themselves. I can picture her already, staring at the two wolves before her in disappointment. “You’re not vampires?” she says.
Yes, that’s lovers, plural. Like Chloe, I’ve decided to take a stab at M/F/M ménage. I’ve only written one other ménage, and that was M/M/F (two guys in a relationship pick up a woman). Right now it looks like she’s going to end up with one over the other—both she and her chosen hero seem inclined that way—but they’ll let the other guy join in when he’s around. The more the merrier, especially when the other guy’s a coyote.
On top of my own book, I have to write Chloe’s as well. I’m heading chapters from her viewpoint with snippets of her vampire WIP. So I’m writing a book and a half. She thinks she’s got it bad, not knowing where her plot is headed? I’ve got two plots and I don’t know where either is headed. Just recently I realized Chloe’s book has a bad guy but mine doesn’t. I had to throw in an extra chapter involving the villainous Tiger Yakuza. Where’s that going to lead? Hell if I know. She and I will have to find out together.
Whether or not I make good on all this, we’ll have to wait and see. The story might go dead on me, as so many other ideas have in the past. So far I don’t really have much of a plot, or any purpose to the story other than to get the girl in bed with two horny wolf boys. But if I do finish it, I’ll want to send it out to market and hope some epublisher picks it up. Or this could be my virgin foray into self-publishing. I haven’t decided yet.
I have decided it’d be really nice if I could make a little money on this. The whole point of me being a writer, other than to get these damn annoying, pestery stories out of my head, is to maybe make a living. Given the economy and my age, finding a regular job isn’t a guarantee right now. Tell that to my monthly expenses. I’ll settle for gas and grocery money, though the rent would be nice too. Maybe even enough to afford home Internet so I don’t have to worry about the Mennonite ladies glimpsing me researching sex toys on the library’s computers.
Which is why I won’t be posting installments of this particular WIP any more. If I post the whole book for free, who’ll want to pay to read it? Even Stephen King couldn’t make a go of a pay-to-read, serialized novel. Nobody wants to pay for stuff on the Net. The Net’s supposed to be free. So, now that I’ve got you all hooked on the story, you’ll have to pony up the pennies to see how it turns out. Heh heh. My evil plan is working.
TANSTAAFL = There Ain’t No Such Thing As A Free Lunch.
There might be snacks in the future, though. If the book thing doesn’t pan out, I can mine whatever I produce for future blog posts, up until the point where I stopped. I could hold a contest: how do you folks think I should have finished this? Best answer gets a book from my backlist. But NOT RIGHT NOW. THERE’S NO CONTEST RIGHT NOW. That’s just an idea in the event the book goes belly-up. We’ll have to see how it turns out.
If you want to check out the story so far, it’s posted on Shapeshifter Seductions under “The Write Stuff,” “Meanwhile, Back at Java Joe’s,” “Crisis,” and “Wolf. James Wolf.” I’ve already added an extra chapter, and I’m expanding the other ones. Then it’s off into unknown territory, for both Chloe and me. At least I’m writing something.
Speaking of the unknown, it occurs to me at least 4000 words of this have already appeared as a free read. Some publishers may not want to take it on, for the reasons given above. I could wind up self-pubbing after all. Cool. I’ve lost an easy topic for the other blog but gained a topic for this one: My Self-Publishing Diary. If that fails, I can always write fan fiction. I hear you can even make money with that these days. These are great times to be a writer.
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