Showing posts with label Cover Art. Show all posts
Showing posts with label Cover Art. Show all posts

Thursday, September 25, 2014

(No Subject)


I don’t have anything specific to talk about this week, so I’m just going to jump around. We’ll start with an entry from the “Oh, the Irony” column. The local library’s running a promotion for Banned Books Week: get your photo taken with a banned book. Somebody else got Stephen King, so I went with Harry Potter. (By the way, have you seen that “fanfic” some alleged housewife is writing, that replaces all the references to magic in Sorcerer’s Stone with Christian ideology? In the first installment, Harry is rescued from his Godless existence and learns true Christian values. Common consensus among fandom is that this is really a satire perpetrated by one or more pro writers as a joke. Geez, I certainly hope so. Oh, and since Dumbledore was revealed as gay in the actual series, I suppose we can look forward to a priest-and-altar-boys subplot in an upcoming installment.)

While I was there, I told the ladies running the camera I write erotic romance, but the library’s content filter won’t let me access my publisher’s web site—in effect, banning me from viewing my own output. Their response was instantaneous: “There’s nothing we can do.” It’s the computer program, you see, not the fault of anyone human. I considered asking them who programmed the computer, but I suspect that would have been futile. Apparently the computer programmed itself and makes its own decisions independent of human direction, Hey, scientific community, look over here! The Lancaster County library system has successfully created AI! Terrific. Amish Country will one day be the birthplace of the Terminator. (“Come with me if you want to live, vunst.”) Now we can be famous for more than just buggies and Witness.

I forgot to mention how the filter fails to stop kids from getting into such fun sites as tips for growing pot indoors and how to build a pipe bomb. As long as you’re not having sex with stuff, the program thinks it’s okay. I did point out that the books the program’s designed to block are still readily accessible on Amazon. This revelation took them by surprise. In point of fact, you can still find flat out porn using the library system if you know which sites to look for.

Maybe instead of a computer program they should get that housewife “fixing” Harry Potter to flag sites inappropriate for children. That would reduce options to Teletubby fan sites and the 700 Club home page. I really need to get home Internet.

# # #

Over on our other blog, Shapeshifter Seductions, we’re in the process of putting the serial story together for self-publication. I downloaded the Smashwords style guide and read through it. Now my head hurts. I’ve been working with computers since the early ‘80s, worked for typesetting companies off and on for at least ten years, I’ve got Microsoft Word on my laptop, and I can’t tell you a thing about coding, fonts or typography. I didn’t pay much attention to that stuff. I was just there to type. Maybe that would explain why I kept getting laid off from these places.

But what really gets me is covers. I don’t know how to do graphic design either, in spite of that background listed above. I took a six-week course in Adobe way back when, but didn’t pursue it. How was I to know publishing your own ebooks would become a thing fifteen-odd years later? Who even heard of ebooks fifteen years ago?

I’ve also got a bone to pick with stock images. Covers aren’t created by artists any more. They’re compiled from disparate images through Photoshop. If your lead character has a distinctive tattoo or hair style and they don’t have a picture of it in the files, you and your book are SOL. I foresee a lot of bland, similar-looking covers (with identical-looking leads) in the future.

We’re having that problem right now with our cover for the serial story. We’re trying to come up with a mammoth for the background. The one in the book was a mutated creature with wolf and human attributes, but there aren’t any stock images of that. We’ll have to settle for a generic mammoth (and when’s the last time you saw that term used in a sentence?). It might take longer, but it would look so much better, and much more unique, if we could just draw the damn thing. Why didn’t I take art in college instead of English?

I know I said we weren’t going to gather all the story’s separate posts together into a book. I lied. I’m a lying swine. There, I said it. Never trust a writer. We’re doing it as a promotional aid. The plan is to introduce ourselves and create awareness of our blog (and the books we wrote and advertise on it) to a wider audience. It’s what I’ve been talking about these last three weeks. This is us attempting to reach those million people who, we hope, will give us each a dollar. The serial story itself will be free, but if they like what they read they might check out our backlists. See how it all fits together?

One last thing. If your goal is to be a writer, don’t major in English in college. Take something that’ll let you earn a living. You can learn more from reading a really bad book than any lit courses anyway. But not our books. Our books are great. Keep those dollars coming!

Tuesday, June 10, 2008

Judging A Book By Its Cover

Recently, I’ve been thinking a lot about the influence of book cover art on readers’ buying decisions as I now have my own book cover to consider. This has made me analyze how much cover art affects my own inclination to pick up a book.

The old adage ‘you can’t judge a book by its cover’ may be true, but I’m shocked to discover that I do. When I stopped to think about my own choices, I realized cover art is the single most important factor in my decision to pick up a book--or not.

When perusing the Internet, I came across a blog by four literary agents discussing the importance of book cover design. They had a selection of covers they’d voted on to determine their impressions of them. They didn’t agree on every cover, but there was consensus between them on the best and the worst. Strangely, the one they liked least was my favorite. If I walked through a bookstore, most of the covers they liked wouldn’t even have caught my notice, let alone induced me to pick up the book. This raised another interesting aspect of cover art—target market. These agents deal mainly with ‘literary’ works rather than genre fiction. I can only assume the covers they liked reflected this preference. I, on the other hand, prefer genre fiction, and the cover I liked best out of their selection was the most ‘commercial’ in appearance.

This made me realize cover art doesn’t have to wow everyone who walks past the book in the bookstore, only the target readership.

This explains why the covers I find most compelling are usually on historical romance. (My favorite genre.) When I flip through Romantic Times it’s always the lavishly dressed couples wearing (or partly wearing) Regency fashions that catch my eye—followed by the paranormal covers if they are imaginative.
Other covers I love are fantasy covers such as C.L. Wilson’s wonderful covers for her fantasy romance series. This obviously reflects my love of fantasy.


I read recently that when a UK publisher reprinted some classic novels and gave them modern covers the sales figures jumped, despite the fact the books were unchanged.

I will pick up a book with an uninspiring cover if it’s been recommended to me, or if the author is one of my favorites. Although I discovered recently that unappealing cover art can stop me buying a book even if I like the author.

I’ve read all of Stephanie Meyer’s Twilight series and enjoyed the books. When I heard she’d written a science fiction story called The Host I intended to buy the book—until I saw the cover. The reviews for the book are good, the blurb sounds interesting, and I’m sure I’ll like the book, but I can’t get past the cover. This first edition is hardcover. I hope they change the cover when it’s released as a paperback.

What about you? Do book covers play an important part in your fiction buying decisions? How do you feel about the covers shown above?

Tuesday, May 6, 2008

The Magical Invitation of Cover Art

One of the best things about walking into a bookstore for me, besides all of those fantastic books just begging to be read, is the magical invitation of cover art. Yes, there’s also the wonderful smell of all those books, tempting and teasing all of us bookaholics. There they sit on their shelves and endcaps, in the bargain bins, waiting to find their right homes, ready to be ensconced in our shopping bags.
But before I choose which ones to buy, whether it’s an adventurous escape into romance or my eclectic appetite for non-fiction, anything from travel to building that next deck, I look at the pictures, those amazing displays of graphic art.
I saunter around the shrine of reading and indulge in all those rows of cover art. Today, more than ever, it’s a kaleidoscopic feast of styles, meant to tempt you to pick up that book and buy, buy, buy. Usually, I don’t unless the accompanying blurb and a quick peek inside convince me...yep, this read is for me. Once in awhile, I’ll succumb and purchase just for the cover art, if it resonates at such a deep level I can’t resist.
Yup, even as a kidlet before kindergarten I wanted the irresistible eye candy of those big picture books as much as I wanted to hear my mom or dad read the story. What could be better than living the tale and seeing it unfold as the artist imagined the story? All at the same time? That has never changed or me. Growing up, I was usually as excited over the cover art and pictures as I was eager to read the story waiting for me, the one that would wisk me away to another time, another place.
Now, in the age of cyber cover art, I’m in a beautiful-color paradise of images designed to catch my eye and lure me to the click-buy button. From the lovely sensual romance cover art of our Friday guest blogger, Sarah Mallory – to the exquisite sizzling beauty of the vampire slayer on Colleen Gleason’s cover art – or the more traditional oh-be-still-my-beating-heart covers on Anna Campbell’s novels (I always feel like swooning into the hero’s hard, but tender embrace) – to our Helen’s cover art for The Magic Knot. Which, I swear, grabs me more each time I look at it. Perhaps, it’s the celtic lyrical magic of the images combined with the realism of the entwined couple. That feel of mythos brought forward into modern times, which has an enchantment-appeal all its own to our psyches, where archetypes live and constantly weave their spells inside us. Hey, think Xena, Warrior Princess or Hercules with Kevin Sorbo, where the gods and goddesses were on their worst behavior and their best behavior.
Okay, why a blog about cover art? Gee, I dunno...could it be? Could it?
Yeah, big surprise, I’m showing off my cover art for When a Good Angel Falls, coming from Siren-BookStrand late in 2008, and currently featured on the new BookStrand site. Jinger Heaston is the cover artist and I think she beautifully captured my story. I couldn’t be happier. Kudos, Jinger!
Blurb for When a Good Angel Falls ~ 2012 futuristic ~
A world-weary, worn-out, incarnated angel who believes she is merely human has three choices: let the Nazerazzi of the North American Union capture her, walk out into the desert night and let the wildlife have a meal, or trust a mysterious stranger on a black motorcycle...More ~ http://www.bookstrand.com/comingsoon/